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The dull colors and rich shadows on unkempt and filthy scenery created a certain obliqueness and gloom, which only highlighted the prevalent physical and spiritual decay of the setting and its characters.
This is the same technique used by those Dogma filmmakers (see Breaking the Waves or The Anniversary Party as an example) in Northern Europe to bring out mood and character.
However, as I proceeded to watch the movie, this askewed and grainy film-making style had become appropriate and fitting to the story.
The first thing that I noticed about this movie is its moody and threatening depiction of Manila.
When it is dark, the scenes become brooding and unyielding.
Her antics sends her off to Manila shpere she finds the constant need to get out of.
Using the Internet to get in touch with her friends in LA, Joanna starts to go through the days where her constant search for chance seems to hang on a thread.
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For Joanna, an 18-year old Fil-Am, the real world starts when she got involved in typical LA ghetto life.