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Dedicated to Tim Mc Allister, John Adams’ concerto for alto saxophone and orchestra is a major addition to the instrument’s repertoire. Marked Andantino, it is at the intermediate level although it is in the key of E.
The original version is for the same orchestra plus a keyboard sampler playing sampled percussion sounds, two horns and a bassoon. S1164: Saxophone Concerto for Solo Alto Saxophone and Orchestra (Piano Reduction) by John Adams. Adams' father played alto saxophone in swing bands in the 1930s, and he credits this life-long exposure to the music of the jazz greats with the creation of his saxophone concerto, composed in 2013. S227: Soundings for Alto Saxophone and Piano by Samuel Adler. A recent one movement work which includes high altissimo and some quarter tones. S751: Tango for Soprano Saxophone and Piano by Isaac Albeniz arranged by Sharon Davis. The familiar Albeniz tango arranged for soprano saxophone and piano. 2 for Oboe (or Clarinet or Soprano Saxophone) and Piano by Tomaso Albinoni edited by Ber Joosen.
6 for Baritone Saxophone and Piano by Garland Anderson. Garland Anderson (1933-2001) was an American composer and pianist.
Advanced high school or early college level with a duration of about without repeats. This piece, which had its premier performance in 1971, was dedicated to his granddaughter and the title is based on her initials.
S1192: Postmark from Fearful Symmetries arranged for Soprano Saxophone and Piano by John Adams arranged by Marilyn Shrude. Postmark is from Fearful Symmetries which was written immediately after Nixon in China. In three movements: Allegro e non presto, Adagio, and Allegro.
S672: Sevilla for Alto Saxophone and Piano by Isaac Albeniz arranged by J. WW257: Pit Band for Alto Saxophone, Bass Clarinet and Piano by William Albright. S078: Sonata for Alto Saxophone and Piano by William Albright.
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